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Pollack described the scoring as "certainly motivated", citing it for instance of "[Lennon & McCartney's] flair for creating stylistic hybrids";[23] specifically, he praises the "ironic tension drawn amongst the schmaltzy content of what's performed through the quartet as well as restrained, spare character with the medium by which it can be played".[23]
Jack and Ellie return to her dwelling And at last make love. Each morning, Jack equates his emotions for Ellie with how Harry Potter needs to have felt when he defeated Lord Voldemort, but Ellie has here no clue who he is speaking about, A lot to Jack's chagrin. They elect to start a spouse and children, and Jack provides up stardom to be a audio Trainer.